Dadivank Monastery

Region

Artsakh

Distance from Yerevan

339.7 km

Type

Monastery/Church

On a forested hill stretching between the Mrav and Karabakh mountain ranges, on the left bank of the Trtu River in Artsakh, rises Dadivank—one of the oldest and most majestic sanctuaries of Armenian Christian architecture. The site, once known as the settlement of Khut, has preserved its sacred significance throughout the centuries. According to early tradition, this is where Dadi, a disciple of Saint Thaddeus the Apostle, came in the first century, spreading Christianity in Artsakh. After his martyrdom, a church was built over his tomb, which later expanded into an entire monastic complex. The monastery was named Dadivank after Dadi, and also known as Khutavank, after the earlier settlement of Khut. By the 5th century, Dadivank had become an episcopal seat, and over time grew into a major spiritual, educational, and cultural center. However, over the course of its long history, Dadivank endured many invasions—Arab, Persian, Seljuk, and Turkish—that brought it to the brink of destruction. Yet, the monastery was restored time and again, at times even serving as a fortress. In the early 19th century, Bishop Sargis Jalalyants described the monastery as semi-ruined and abandoned, a result of the depopulation of surrounding villages. The surviving complex today consists mainly of structures from the 12th–13th centuries. The main cathedral, called the Katoghike, was built in 1212 by Arzukhatun, wife of Prince Vakhtang of Haterk. In the niche of the cathedral’s bell tower, Abbot Athanas placed two exceptional khachkars (cross-stones)—among the finest examples of Armenian stone carving. Adjacent to the Katoghike is a second church with a narthex (narthex). On the north side of the complex is another 13th-century church, and to the south, the small church of Hasan the Great. The monastery complex also includes various auxiliary buildings: a refectory, bell tower, guesthouse, monastic cells, olive press, library, and other functional rooms. The grounds are scattered with numerous khachkars, most of them bearing ornate carvings and inscriptions. On the western side of the complex is the narthex, which, according to inscriptions, was built in 1241 through the efforts of Prince Smbat. In that section is also the two-story bell tower, built on the initiative of Bishop Sargis of the Dopians. The zhamatun (prayer and meeting hall), attributed to Bishop Grigor, contains multiple halls and served the spiritual and organizational needs of the brotherhood. In the southern wing, the ruins of Hasan Jalal’s palace have been preserved. Several chapels scattered across the monastic grounds are also of significant value, housing exceptional examples of khachkar art and epigraphic records. Many of these khachkars feature cross-shaped designs typical of the early Christian period.